I’m trying not to be obsessive about this, but I have a feeling that many people will look back on the early days of the High Line when the bells rang, minute by minute, and remember that these were the glory days. Or, as Aretha Franklin might say, “the good old days, the good old days.”
I started this post at 7:46, consulted Stephen Vitiello’s “sound map” and discovered that at this moment the bells of Kettles & Co. are sounding.
I didn’t know what this meant so I Googled them and came here, to a website that explains that Kettles & Co. is “New York City’s leading percussion, timpani and celesta global rental service.” This company rents out instruments that I couldn’t possibly describe — “3 octaves of almglocken,” “5-octave Schiedmayer Celestas, Estey Harmonium, Jenco Keyboard Glockenspiel, Pedal Glockenspiel, Bass Chimes for Mahler, Shostakovich and Berlioz,” and many others with equally inscrutable names. On the company’s website you can watch YouTube videos of orchestras using Kettle & Co. instruments.
When I began this post — now ten minutes ago — a “Swiss cowbell” was ringing.
Where else are you going to find this????
The High Line is set to open its new section next month and the blogosphere is clanging. (See 0:54: New York Transit Museum, subway bell.) But no one is talking about what we will lose in the process.
You have six weeks to enjoy “A Bell For Every Minute.” It’s hard to imagine that the good people who run the High Line can come up with anything even close to this remarkably wonderful exhibit.
Go now. It’s 8:10. The bell of Gracie Mansion’s historic clock is ringing.