During the era of the Industrial Revolution, the way-West Side of Manhattan was exploding with enterprise: ironworks, grain elevators, lard refineries, stockyards, abattoires, printing presses, candle factories and manufacturers of everything from cigars to pianos. The trains of Cornelius Vanderbilt’s New York Central Railroad rumbled up Tenth, Eleventh and Twelfth Avenues, carrying many of these goods north along the Hudson River towards Albany, where they eventually connected with the newly-laid tracks of the Transcontinental Railroad and would make their way to towns and cities across the country.
The machines of the Industrial Revolution ran on steam, and in our neighborhood there were acres of lumberyards with steam-powered sawmills. One of the most common sites, as described by a New York Times reporter who made an excursion through the ‘hood in 1883, was “endless piles of lumber.” He observed that “the Leaning Tower of Pisa has been copied as nearly as possible in the architecture of these piles.”
In my book about the High Line I described this area as “New York’s Lumberyard,” and there was a factory just half a block from the park on West 22nd Street. I’ve written about ghost signs before on this blog, and the one for “kiln-dried lumber” on the side of a condo known as the Eagle Building has long been one of my favorites. When I moved here a decade ago there was a short, nondescript, brick building occupied by the Balenciaga fashion company. A neighbor on the block used to stand on the loading dock and hurl a tennis ball up the cobblestoned street — then basically (blissfully, I should say) free of vehicular traffic — for his dog to fetch.
That low-slung building was recently torn down and the lot is now an active construction site. I’ve been photographing the old ghost sign over the past few months as the floors of the new building rise to cover it. Which, floor by floor, they now have done:
Adieu, friendly ghost sign.