Sarah Sze’s “Still Life with Landscape” is one my favorite exhibitions on the High Line. As readers of this blog know, I tend to get sentimental about certain exhibits, notably Stephen Vitiello’s “A Bell For Every Minute,” which I still miss. But the point of the public art program is that new works continually appear, and in order for that to happen, old favorites have to come down.
Sze’s work has been attracting birds, butterflies, bees, and humans in huge numbers since it debuted on opening day of section two last year. Even the occasional dog stops by to have a sniff (see photo gallery). Barbie selected Sze’s piece from all of New York City’s landmarks as the location for her latest fashion shoot.
I’ve been photographing “Still Life” all year, jostling amongst the many tourists who stop, in surprise and delight, as soon as they reach it. I love the architectural quality of this piece; it makes the perfect bird feeder, but it also frames several standout buildings with its boxy pattern of steel girders: London Towers, General Theological Seminary, the Empire State Building, the Guardian Angel Church. Most wonderful of all, it brings the birds up close. Even New York’s pigeon population — normally happy to perch on a prosaic lamppost — has discovered Sze’s work, along with the sparrows, mourning doves, and other feathered friends.
The piece comes down at the end of June, so be sure to pay a visit between now and then. To learn more about Sarah Sze and her work visit SarahSze.com. Check out the gallery to see more photos.